The KMS 104/104 plus and the KMS 105 microphones have been developed to optimally transmit the human voice with respect to the demanding conditions present on the live stage. The KMS series has become the internationally acknowledged standard for first-class stage microphones. The high acoustic resolution and smooth frequency response of the microphones ensure that the musician has optimal control of the stage performance at all times.
The studio condenser capsules used in the microphone versions provide the basis for transmitting all the nuances of the human voice. In comparison with other handheld microphones, which operate mostly with dynamic capsules, the KMS series has a particularly high acoustic transparency, a wide frequency range and a fine resolution of transients.
- Excellent transparency for vocals/speech
- Cardioid/Supercardioid polar pattern with excellent feedback rejection
- Without off-axis coloration
- Effective pop shielding without any side effects
|Acoustical operating principle||Pressure gradient transducer|
|Frequency range||20 Hz ... 20 kHz|
|Sensitivity at 1 kHz into 1 kohm||4.5 mV/Pa|
|Rated impedance||50 ohms|
|Rated load impedance||1 kohms|
|Equivalent noise level, CCIR1)||28 dB|
|Equivalent noise level, A-weighted1)||18 dB-A|
|Signal-to-noise ratio, CCIR1) (rel. 94 dB SPL)||66 dB|
|Signal-to-noise ratio, A-weighted1) (rel. 94 dB SPL)||76 dB|
|Maximum SPL for THD 0.5%2)||150 dB|
|Maximum output voltage||12 dBu|
|Supply voltage (P48, IEC 1938)||48 V ± 4 V|
|Current consumption (P48, IEC 1938)||3.5 mA|
|Weight||approx. 300 g|
For more information, please visit the manufacturer's website.