The C214 professional large-diaphragm condenser microphone has been designed as a cost-effective alternative to the high-end C414 family. The C214 has fast become a favourite for vocals, guitar cabinets, drum overheads and orchestral work both in the studio and live on stage. for instruments.
Like the C414, the C214 offers a supreme one-inch capsule on an integrated suspension to reduce mechanical noise. A switchable 20dB attenuation pad allows recording of loud sources of up to 156dB SPL. A switchable bass-cut filter allows close-up recording with almost no proximity effect. The C214 captures sound by combining one capsule of the legendary C414 dual-capsule system and the patented AKG Back-Plate Technology, resulting in an outstanding performance close to the famous C414 XLII.
Sonic character of the C414 XLII - for beautifully detailed recording of lead vocals and solo instruments
Outstanding dynamic range and ultralow noise - for close-up recording of high-output sources of up to 156dB SPL
Switchable 20dB attenuator and bass-cut filter - for close-up recording and reduction of proximity effect
Integrated suspension- to reduce mechanical noise and vibration from stage.
Roadworthy design -all-metal die-cast body with shock- and scratch-resistant finish
TECHNICAL SPECIFICATION
| General |
| Audio frequency bandwidth |
20 to 20000 Hz |
| Equivalent Noise Level |
13 dB-A |
| Sensitivity |
20 mV/Pa |
| Signal to Noise |
81 dB-A |
| Preattenuation Pad |
-20 dB |
| Bass Cut Filter |
160 Hz |
| Electrical Impedance |
200 Ohms |
| Recommended Load Impedance |
1000 Ohms |
|
| Polar Patterns |
| Cardioid |
 |
|
| Powering Interface |
| Voltage |
9 to 52 V |
| Current |
2 mA |
|
| Audio Output |
| Type |
Balanced XLR |
| Gender |
Male |
| Contacts |
3-pin |
|
| Design |
| Finish |
matte grayish blue |
|
| Dimensions / Weight |
| Width |
56 mm |
| Height |
160 mm |
| Net Weight |
280 g |
|
