RME FIREFACE802FS 60-Channel 192kHz High-End USB Audio Interface

The Fireface 802 FS offers a comprehensive pro audio solution for both live and studio settings, housed in a 19” rackmount design. Crafted for professionals demanding uncompromised sound quality, reliability, and ultra-low latency, it delivers an exceptional range of features. This landmark RME interface combines 60 audio channels, premium microphone preamps, reference-grade converters, a full effects suite, and supports up to 192 kHz operation, setting a new standard in high-end audio performance.

The Fireface 802 FS offers ultra-low latency performance powered by RME’s USB 2 technology, paired with the brand’s well-known driver stability and ongoing support. It features SteadyClock FS for enhanced jitter reduction, individually adjustable reference levels on every input and output, full stand-alone operation, and consistent functionality across both Windows PC and Mac systems, rounding out a comprehensive professional package.

The Fireface 802 FS utilizes newly engineered analog and digital boards. The analog board features advancements such as DC-coupled analog outputs and upgraded AD and DA converters, while the digital board benefits from modern high-tech components that unlock innovative new functionalities.

The front panel of the Fireface 802 FS is equipped with four versatile XLR/TRS combo inputs designed for microphone, instrument, and line-level signals. It also includes two stereo headphone outputs delivering +17 dBu, ensuring powerful volume levels even when using high-impedance headphones.

The rear panel of the Fireface 802 FS offers comprehensive connectivity options. In addition to MIDI and Word Clock I/O, it includes two optical ADAT I/O ports, an AES/EBU I/O, and eight balanced analog inputs and outputs at line level. The new Multi-Mode feature allows the two ADAT I/O ports to function as separate optical SPDIF inputs and outputs alongside the AES I/O. Additionally, there is a USB A port for direct connection to the optional ARC USB remote controller, enhancing user control and versatility.

Specifications

• Analogue
  • AD, Line In 1-8, rear
  • Input: 6.3 mm TRS, electronically balanced
  • Signal to Noise ratio (SNR) @ LoGain: 116 dB (AES17), 118 dBA
  • Signal to Noise ratio (SNR) @ +4 dBu: 115 dB (AES17), 117 dBA
  • Frequency response @ 44.1 kHz, -0.1 dB: 8.9 Hz – 20.4 kHz
  • Frequency response @ 96 kHz, -0.5 dB: 4.3 Hz – 45.2 kHz
  • Frequency response @ 192 kHz, -1 dB: 3 Hz – 89 kHz
  • Filter: Short Delay Sharp, 5 / 5 / 6 samples delay
  • THD @ -1 dBFS: < -120 dB, < 0.0001 %
  • THD+N @ -1 dBFS: < -110 dB, < 0.00032 %
  • Channel separation: > 110 dB  Maximum input level: +19 dBu
    
  • Input impedance @ 1 kHz: 10 kOhm unbalanced, 10.6 kOhm balanced
  • Input sensitivity switchable between Lo Gain and +4 dBu
  • Input level for 0 dBFS @ Lo Gain: +19 dBu
  • Input level for 0 dBFS @ +4 dBu: +13 dBu
  • Variable digital gain: 0 to +12 dB
  • Minimum level for 0 dBFS: +1 dBu, -1.2 dBV
• Microphone In 9-12, front - As AD, but:
  • Input: XLR, electronically balanced
  • Input impedance: 3.4 kOhm
  • Signal to Noise ratio (SNR): 113 dB RMS unweighted, 116 dBA
  • Gain range: 54 dB
  • Maximum input level, Gain +6 dB: +10 dBu
  • Maximum input level, Gain +60 dB: -44 dBu
  • CLIP LED: 0 dBFS
  • SIG LED: -42 dBFS
• Instrument In 9-12, front - As AD, but:
  • Input: 6.3 mm TS jack, unbalanced
  • Input impedance: 1 MOhm
  • Signal to Noise ratio (SNR): 113 dB RMS unweighted, 116 dBA
  • Maximum input level, Gain +6 dB: +21 dBu
  • Maximum input level, Gain +60 dB: -33 dBu
  • Frequency response @ 44.1 kHz, -0.5 dB: 2.5 Hz – 20.8 kHz
  • Frequency response @ 96 kHz, -0.5 dB: 2.5 Hz – 25 kHz
  • Frequency response @ 192 kHz, -1 dB: 1.7 Hz – 36 kHz
• DA, Line Out 1-8, rear
  • Output: 6.3 mm TRS jack, servo-balanced
  • Signal to Noise ratio (SNR) @ HiGain: 116.5 dB (AES17), 118.5 dBA
  • Signal to Noise ratio (SNR) @ +4 dBu: 116 dB (AES17), 118 dBA
  • Signal to Noise ratio (SNR) @ -10 dBV: 107 dB (AES17), 109 dBA
  • Frequency response @ 44.1 kHz, -0.1 dB: 0 Hz – 20.2 kHz
  • Frequency response @ 96 kHz, -0.5 dB: 0 Hz – 44.6 kHz
  • Frequency response @ 192 kHz, -1 dB: 0 Hz – 77.5 kHz
  • THD+N: < -110 dB, < 0.00032 %
  • Channel separation: > 110 dB
  • Output level switchable Hi Gain, +4 dBu, -10 dBV
  • Output level at 0 dBFS @ Hi Gain: +19 dBu
  • Output level at 0 dBFS @ +4 dBu: +13 dBu
  • Output level at 0 dBFS @ -10 dBV: +2 dBV (+4.2 dBu)
  • Output impedance: 75 Ohm
• DA - Stereo Monitor Output Phones (9-12) - as DA, but:
  • Output: 2 x 6.3 mm TRS stereo jack, unbalanced
  • Maximum output level at 0 dBFS: +17 dBu
  • Max power per channel @ 32 Ohm load, 0.02% THD: 200 mW (2.5 Vrms, +10 dBu)
  • Signal to Noise ratio (SNR): 116 dB (AES17), 118 dBA
  • Output impedance: 2 Ohm
• MIDI
  • 1 x MIDI I/O via 5-pin DIN jacks
  • Galvanically isolated by optocoupled input
  • Hi-speed mode: Jitter and response time typically below 1 ms
  • Separate 128 byte FIFOs for input and output
• Digital
  • Clocks: Internal, ADAT In, AES In, SPDIF In, Word Clock In
  • Jitter suppression of external clocks: > 50 dB (> 1 Hz)
  • Effective clock jitter influence on AD and DA conversion: near zero
  • PLL ensures zero dropout, even at more than 100 ns jitter
  • Digital Bitclock PLL for trouble-free varispeed ADAT operation
  • Supported sample rates: 28 kHz up to 200 kHz
• Digital Inputs
• AES/EBU
  • 1 x XLR, transformer-balanced, galvanically isolated, according to AES3-1992
  • High-sensitivity input stage (< 0.3 Vpp)
  • SPDIF compatible (IEC 60958)
  • Accepts Consumer and Professional format
  • Lock range: 27 kHz – 200 kHz
  • Jitter suppression: > 50 dB (> 1 Hz)
• ADAT Optical
  • 2 x TOSLINK, format according to Alesis specification
  • Standard: 2 x 8 channels 24 bit, up to 48 kHz
  • Double Speed (S/MUX): 2 x 4 channels 24 bit 96 kHz
  • Quad Speed (S/MUX4): 2 x 2 channels 24 bit 192 kHz
  • Bitclock PLL ensures perfect synchronisation even in varispeed operation
  • Lock range: 31.5 kHz – 50 kHz
  • Jitter suppression: > 50 dB (> 1 Hz)
• SPDIF optical (ADAT 1/2 + ADAT 9/10)
  • 1 x optical, according to IEC 60958
  • Accepts Consumer and Professional format
  • Lock range: 27 kHz – 200 kHz
  • Jitter suppression: > 50 dB (> 1 Hz)
• Word Clock
  • BNC, not terminated (10 kOhm)
  • Switch for internal termination 75 Ohm
  • Automatic Double/Quad Speed detection and internal conversion to Single Speed
  • SteadyClock guarantees super low jitter synchronization even in varispeed operation
  • Not affected by DC-offsets within the network
  • Signal Adaptation Circuit: signal refresh through auto-center and hysteresis
  • Overvoltage protection
  • Level range: 1.0 Vpp – 5.6 Vpp
  • Lock Range: 27 kHz – 200 kHz
  • Jitter suppression: > 50 dB (> 1 Hz)
• Digital Outputs
• AES/EBU
  • 1x XLR, transformer-balanced, galvanically isolated, according to AES3-1992
  • Output level Professional 4.2 Vpp, Consumer 2.4 Vpp
  • Format Professional according to AES3-1992 Amendment 4
  • Format Consumer (SPDIF) according to IEC 60958
  • Single Wire mode, sample rate 28 kHz up to 200 kHz
• ADAT
  • 2 x TOSLINK, format according to Alesis specification
  • Standard: 2 x 8 channels 24 bit, up to 48 kHz
  • Double Speed (S/MUX): 2 x 4 channels 24 bit 96 kHz
  • Quad Speed (S/MUX4): 2 x 2 channels 24 bit 192 kHz
• SPDIF optical (ADAT 1/2 + ADAT 9/10)
  • Format Consumer (SPDIF) according to IEC 60958
  • Sample rate 28 kHz up to 200 kHz
• Word Clock
  • BNC
  • Max. output voltage: 5 Vpp
  • Output voltage @ 75 Ohm termination: 4.0 Vpp
  • Output impedance: 10 Ohm
  • Frequency range: 27 kHz – 200 kHz
• General
• Power supply: Internal switching PSU, 100 - 240 V AC, 30 Watt
• Idle power consumption: 15 Watt
• Typical power consumption: 22 Watt
• Dimensions including rack ears (WxHxD): 483 x 44 x 242 mm
• Dimensions without rack ears/handles (WxHxD): 436 x 44 x 235 mm
• Weight: 2.8 kg