Martin MARMAC115 MAC AURA PXL EPS LED Moving Head
Description
Bigger and brighter than the MAC Aura, the PXL features significantly higher intensity and a tighter beam as well as a smaller face and less busy lens look compared to the MAC Quantum Wash.
The Martin MAC Aura PXL adds to the industry standard line of Martin wash lights with multi-lens and Aura backlight technology. The MAC Aura PXLs bigger “bubbles” provide a more appealing look and beautiful wide wash fields. It is also the first wash light in the market to feature individual pixel control for main beam pixels and Aura back light with full control via DMX, Art-Net and sACN, as well as with Martin´s very own creative P3 video protocol.
The compact size and low weight, trusted Martin build quality and feature set, and simple and clever setup and control options make the MAC Aura PXL ideal for rental customers and lighting designers working in concert/touring, TV shows and corporate, as well as customers supporting the high-end nightclub market.
TRUE WASH LIGHT WORKHORSE
From a tight, high intensity, narrow beam to beautiful wash fields, incorporated into a compact and lightweight package, the MAC Aura PXL suits every application.
BUILT FOR PIXEL MAPPING
With an all solid state colour mixing system, instant colour and intensity response, 19 individually controlled main beam pixels and also 141 individually controlled Aura backlight pixels, the MAC Aura PXL is a great choice for pixel-mapping. The colour palette can also be set to fully match the colour space of any other P3-driven product in the rig, allowing the fixture to fit in seamlessly.
BRIGHT, VIBRANT COLOURS
The RGBW system delivers very vibrant colours with a brightness only expected from much bigger fixtures. The calibrated colour system excels on subtle pastels and white tones, making any MAC Aura PXL in the rig match on the colour point when they must.
P3 INCORPORATED
On top of DMX, Art-Net and sACN, all features of the fixture can be controlled by Martin´s P3 protocol for setup and programming and allows a rig of fixtures to deliver cohesive content that blends together with video content on panels or creative LED products. You can even blend seamlessly between console and media input sources via the P3 mix channel.
Specifications
LIGHT SOURCE
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RGBW solid-state colour mixing
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13klm RGBW light output
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Calibrated colours
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Instant colour mixing via solid-state mixing (no moving parts)
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Operation – LED driver frequency suitable for all kinds of camera applications
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Pixelated beam (19 segments)
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Pixelated Aura backlight (141 segments)
OPTICS
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1:8 zoom – Precise, silent and yet fast zoom
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Tight beam and beautiful wash field
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Minor colour temperature shift from center to edge
COLOUR PALETTE
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RGBW colour mixing with very bright and vibrant saturated colours, as well as nice pastels and white tones
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Calibrated and Extended colour Modes
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Virtual Colour Wheel
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Tungsten Emulation Option
DYNAMIC EFFECTS
- Dimming and Strobing
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Zoom
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Pan/Tilt Movement
COOLING AND NOISE
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Low noise cooling system
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Low noise pan/tilt and effects operation
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User-selectable output vs. sound level control
CONSTRUCTION
- Height: 488mm
- Weight:15.6kg
CONTROL
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DMX-512 in/out
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Ethercon in/out for P3, Art-Net, sACN
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Built in Ethernet switch with fail-safe bypass